Cannas and Cypress Vine (Canna species and Ipomoea quamoclit) (1877) by Mary Vaux Walcott. With Artist Name and Title. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.

Artist Name Mary Vaux Walcott Artwork Name Cannas and Cypress Vine Canna species and Ipomoea quamoclit Artwork Date 1877 Artist Nationality American Artistic Style or Movement Botanical Illustration Genre Botanical Art Period 19th Century Medium Watercolor on Paper Technique Watercolor Painting Cultural and Geographic Context North American Botanical Studies Thematic or Conceptual Context Scientific Observation and Natural Beauty Artists Intent and Context To document and celebrate the diversity of plant life Formal elements and Composition Detailed and realistic depiction with attention to color and form. Mary Vaux Walcotts Cannas and Cypress Vine Canna species and Ipomoea quamoclit is a testament to her meticulous attention to the natural world and her dedication to botanical illustration. Created in 1877, this piece captures the delicate beauty and vibrant colors of the flora with precision and grace. Walcott, often referred to as the Audubon of Botany, was a pioneering figure in botanical art, and her work remains influential for its scientific accuracy and artistic elegance. Born in 1860 in Philadelphia, Mary Vaux Walcott grew up in a family that valued both science and art. Her passion for botany was nurtured during family trips to the Canadian Rockies, where she began documenting plant species with watercolor illustrations. Walcotts work is characterized by its detailed representation and clarity, reflecting her philosophical approach that art should serve both aesthetic and educational purposes. In Cannas and Cypress Vine, Walcott employs watercolor techniques to achieve a lifelike depiction of the plants. The genre of botanical illustration requires a balance between artistic expression and scientific detail, and Walcott excels in this, capturing the vibrant hues and intricate structures of the species. This piece holds significant importance in the art world, not only for its beauty but also for its contribution to the documentation of North American flora. Walcotts work continues to be celebrated for bridging the gap between art and science. The original illustration is part of the Smithsonian Institutions collection, where it remains a valuable resource for both artists and botanists. Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, masters edition, museum-quality acid-free paper for a glare-free, clean finish. Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office. Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm 0.79 thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood. Key Features Frame Material Responsibly sourced oak or ash wood. Paper Finish Smooth, glare-free matte 200 gsm 80 lb, 0.26 mm 10.3 mils. Color Vibrancy High-quality ink technology ensures vivid and accurate colors. Protection Shatterproof plexiglass. Eco-Friendly Printed on FSC-certified paper and wood. Ready-to-Hang Includes a hanging kit for immediate display. Enjoy timeless art with unmatched quality and sustainability.