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Cranes from Momoyogusa-Flowers of a Hundred Generations (1909) by Kamisaka Sekka. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.

Cranes from Momoyogusa-Flowers of a Hundred Generations (1909) by Kamisaka Sekka. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.

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Artist Name: Kamisaka Sekka

Artwork Name: Cranes from Momoyogusa-Flowers of a Hundred Generations

Artwork Date: 1909

Artist Nationality: Japanese

Artistic Style or Movement: Rinpa

Genre: Decorative Arts

Period: Meiji Period

Medium: Woodblock Print

Technique: Ukiyo-e

Cultural and Geographic Context: Japan

early 20th century

Thematic or Conceptual Context: Nature and Traditional Japanese Aesthetics

Artist's Intent and Context: To celebrate and preserve traditional Japanese art forms and aesthetics

Formal elements and Composition: Simplified forms

flat areas of color

and dynamic composition.
Kamisaka Sekka's "Cranes" from *Momoyogusa: Flowers of a Hundred Generations* (1909) is a masterful example of the artist's ability to blend traditional Japanese aesthetics with modern sensibilities. Sekka, often hailed as a pivotal figure in the development of the *rinpa* school, was instrumental in revitalizing traditional Japanese art during the Meiji era, a time when Western influences were permeating the cultural landscape of Japan.

Born in Kyoto in 1866, Sekka was deeply influenced by the rich artistic heritage of his hometown, yet he was also open to the innovations brought about by Japan's modernization. His work is characterized by a synthesis of vibrant colors, bold compositions, and a keen attention to the natural world. "Cranes," like many of his works, reflects his philosophical approach of harmonizing nature with art, capturing the elegance and grace of these revered birds.

In this piece, Sekka employs traditional woodblock printing techniques, yet his use of color and form exhibits a modern flair, creating a bridge between the past and the present. The cranes, a symbol of longevity and good fortune, are depicted with a simplicity and elegance that speaks to Sekka's mastery of design and composition.

The significance of "Cranes" lies in its ability to encapsulate the beauty and transience of nature, a core tenet of Japanese aesthetics. The original work is part of the collection at the Kyoto National Museum, where it continues to inspire and captivate audiences with its timeless beauty and cultural resonance.
Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, master's edition, museum-quality acid-free paper for a glare-free, clean finish.

Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office.

Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm (0.79") thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood.

Key Features:

Frame Material: Responsibly sourced oak or ash wood.
Paper Finish: Smooth, glare-free matte; 200 gsm (80 lb), 0.26 mm (10.3 mils).
Color Vibrancy: High-quality ink technology ensures vivid and accurate colors.
Protection: Shatterproof plexiglass.
Eco-Friendly: Printed on FSC-certified paper and wood.
Ready-to-Hang: Includes a hanging kit for immediate display.
Enjoy timeless art with unmatched quality and sustainability.
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