Flower Study (1876-1878) by Maurice Pillard Verneuil. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.

Artist Name: Mary Vaux Walcott

Artwork Name: Flower Study

Artwork Date: 1876-1878

Artist Nationality: American

Artistic Style or Movement: Botanical Illustration

Genre: Natural History Illustration

Period: Late 19th Century

Medium: Watercolor on paper

Technique: Watercolor painting

Cultural and Geographic Context: North American botanical study

Thematic or Conceptual Context: Scientific documentation of flora

Artist's Intent and Context: To accurately depict and document North American plant species

Formal elements and Composition: Detailed and realistic depiction of flowers with attention to color and form.
Mary Vaux Walcott's "Flower Study" (1876-1878) is a masterful illustration that transcends mere botanical accuracy to capture the ethereal beauty and intricate details of the natural world. Known as the "Audubon of Botany," Walcott was an American artist whose work primarily focused on the delicate and precise depiction of North American flora. Born in 1860 in Philadelphia, Walcott's life was marked by her dual passion for art and science, which she harmoniously blended in her work.

Walcott's art is characterized by its meticulous attention to detail and scientific accuracy, reflecting the influence of the burgeoning naturalist movement of her time. Her "Flower Study" exemplifies the watercolor technique she mastered, using delicate brushstrokes and a subtle palette to bring out the vibrant hues and textures of each petal and leaf. This piece is emblematic of her dedication to capturing the ephemeral beauty of flowers, a subject matter that was both scientifically valuable and artistically profound.

Walcott's philosophical approach was rooted in the belief that art could serve as a bridge between science and the public, fostering a greater appreciation for the natural world. Her "Flower Study" not only serves as an important scientific record but also as an artistic celebration of nature's splendor. The significance of this piece lies in its contribution to botanical illustration, a genre that combines scientific inquiry with artistic expression. Today, Walcott's work, including the "Flower Study," is held in high regard and can be found in the collections of the Smithsonian Institution, where it continues to inspire both artists and scientists alike.
Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, master's edition, museum-quality acid-free paper for a glare-free, clean finish.

Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office.

Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm (0.79") thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood.

Key Features:

Frame Material: Responsibly sourced oak or ash wood.
Paper Finish: Smooth, glare-free matte; 200 gsm (80 lb), 0.26 mm (10.3 mils).
Color Vibrancy: High-quality ink technology ensures vivid and accurate colors.
Protection: Shatterproof plexiglass.
Eco-Friendly: Printed on FSC-certified paper and wood.
Ready-to-Hang: Includes a hanging kit for immediate display.
Enjoy timeless art with unmatched quality and sustainability.