Myology and disposition of the viscera (1892) by Charles Dessalines D' Orbigny. Archival Print on Museum Quality Matte Paper. Premium Wood Framed Wall Art. Original Aspect Ratio

Charles Dessalines D'Orbigny's "Myology and Disposition of the Viscera" (1892) stands as a testament to the intricate intersection of art and science during the late 19th century. D'Orbigny, a lesser-known yet pivotal figure in the realm of anatomical illustration, dedicated his life to the meticulous depiction of the human body. Born in France in the mid-19th century, D'Orbigny was a contemporary of the burgeoning scientific revolution, a time when the exploration of the natural world was expanding rapidly, and the need for precise visual documentation became paramount.

D'Orbigny’s work is characterized by a precision and clarity that reflects his deep understanding of anatomy and his commitment to bridging the gap between art and science. His illustrations are not merely technical; they reveal an aesthetic sensibility that elevates the subject matter beyond mere diagrams. In "Myology and Disposition of the Viscera," D'Orbigny employs a detailed, almost sculptural approach to depict the musculature and internal organs, using fine lines and subtle shading to convey depth and texture.

This piece is emblematic of the genre of scientific illustration, where the subject matter is the human body itself, presented with both educational intent and artistic grace. The philosophical approach D'Orbigny embraced was one of enlightenment and education, aiming to make the complexities of human anatomy accessible and understandable. His techniques, primarily pen and ink with watercolor washes, achieve a balance between accuracy and artistry.

"Myology and Disposition of the Viscera" holds significant importance as it represents the symbiotic relationship between art and science, a precursor to modern medical illustration. The original work is currently held in a private collection, valued for its historical significance and contribution to both fields. Through this piece, D'Orbigny invites viewers to appreciate the beauty inherent in the human form, encouraging a deeper understanding of the body's inner workings.

Artist Name: Charles Dessalines D' Orbigny

Artwork Name: Myology and disposition of the viscera

Artwork Date: 1892

Artist Nationality: French

Artistic Style or Movement: Scientific Illustration

Genre: Anatomical Illustration

Period: 19th Century

Medium: Print

Technique: Lithography

Cultural and Geographic Context: France

Thematic or Conceptual Context: Anatomy and Physiology

Artist's Intent and Context: Educational and Scientific Documentation

Formal elements and Composition: Detailed anatomical representation with focus on accuracy and clarity.

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Each print is crafted to the highest standard:

True-to-life color & detail – Printed with archival, pigment-based inks for exceptional depth and lasting vibrancy.

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Gallery-standard materials – Archival-grade, acid-free paper with a glare-free finish.

Sustainable craftsmanship – FSC-certified papers and responsibly sourced wood frames.

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