Ride a Stearns and be content (1896) by Edward Penfield. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.
Ride a Stearns and be content (1896) by Edward Penfield. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.
Regular price
£90.29 GBP
Regular price
Sale price
£90.29 GBP
Unit price
/
per
Artist Name: Edward Penfield
Artwork Name: Ride a Stearns and be content
Artwork Date: 1896
Artist Nationality: American
Artistic Style or Movement: Art Nouveau
Genre: Advertising Poster
Period: Late 19th Century
Medium: Lithograph
Technique: Printmaking
Cultural and Geographic Context: United States
Thematic or Conceptual Context: Promotion of Bicycling and Modernity
Artist's Intent and Context: To advertise Stearns bicycles and convey a sense of leisure and modern lifestyle
Formal elements and Composition: Bold lines
flat areas of color
and simplified forms.
Edward Penfield's "Ride a Stearns and be content" (1896) stands as a quintessential example of the American poster art movement during the late 19th century. Penfield, often hailed as the father of the American poster, was a pivotal figure in the transition from the Victorian to the modern era of graphic design. Born in 1866 in Brooklyn, New York, Penfield's career blossomed at a time when the United States was experiencing rapid industrial growth and cultural shifts.
"Ride a Stearns and be content" is a vibrant lithograph that captures the spirit of the burgeoning cycling craze of the 1890s. Penfield's style is characterized by bold lines, flat colors, and a keen eye for composition, which were influenced by the Art Nouveau movement and Japanese woodblock prints. His work often exuded a sense of leisure and modernity, reflecting the optimistic ethos of the Gilded Age.
In this particular piece, Penfield employs a harmonious blend of color and typography to convey the joy and freedom associated with cycling. The poster not only advertises the Stearns bicycle but also encapsulates the era's fascination with new technologies and the allure of an active lifestyle. The artwork is a testament to Penfield's ability to merge commercial appeal with artistic integrity, and it remains a significant artifact of advertising art. The original piece is currently part of the collection at the Metropolitan Museum of Art, serving as a window into the cultural zeitgeist of its time.
Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, master's edition, museum-quality acid-free paper for a glare-free, clean finish.
Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office.
Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm (0.79") thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood.
Key Features:
Frame Material: Responsibly sourced oak or ash wood.
Paper Finish: Smooth, glare-free matte; 200 gsm (80 lb), 0.26 mm (10.3 mils).
Color Vibrancy: High-quality ink technology ensures vivid and accurate colors.
Protection: Shatterproof plexiglass.
Eco-Friendly: Printed on FSC-certified paper and wood.
Ready-to-Hang: Includes a hanging kit for immediate display.
Enjoy timeless art with unmatched quality and sustainability.
Artwork Name: Ride a Stearns and be content
Artwork Date: 1896
Artist Nationality: American
Artistic Style or Movement: Art Nouveau
Genre: Advertising Poster
Period: Late 19th Century
Medium: Lithograph
Technique: Printmaking
Cultural and Geographic Context: United States
Thematic or Conceptual Context: Promotion of Bicycling and Modernity
Artist's Intent and Context: To advertise Stearns bicycles and convey a sense of leisure and modern lifestyle
Formal elements and Composition: Bold lines
flat areas of color
and simplified forms.
Edward Penfield's "Ride a Stearns and be content" (1896) stands as a quintessential example of the American poster art movement during the late 19th century. Penfield, often hailed as the father of the American poster, was a pivotal figure in the transition from the Victorian to the modern era of graphic design. Born in 1866 in Brooklyn, New York, Penfield's career blossomed at a time when the United States was experiencing rapid industrial growth and cultural shifts.
"Ride a Stearns and be content" is a vibrant lithograph that captures the spirit of the burgeoning cycling craze of the 1890s. Penfield's style is characterized by bold lines, flat colors, and a keen eye for composition, which were influenced by the Art Nouveau movement and Japanese woodblock prints. His work often exuded a sense of leisure and modernity, reflecting the optimistic ethos of the Gilded Age.
In this particular piece, Penfield employs a harmonious blend of color and typography to convey the joy and freedom associated with cycling. The poster not only advertises the Stearns bicycle but also encapsulates the era's fascination with new technologies and the allure of an active lifestyle. The artwork is a testament to Penfield's ability to merge commercial appeal with artistic integrity, and it remains a significant artifact of advertising art. The original piece is currently part of the collection at the Metropolitan Museum of Art, serving as a window into the cultural zeitgeist of its time.
Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, master's edition, museum-quality acid-free paper for a glare-free, clean finish.
Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office.
Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm (0.79") thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood.
Key Features:
Frame Material: Responsibly sourced oak or ash wood.
Paper Finish: Smooth, glare-free matte; 200 gsm (80 lb), 0.26 mm (10.3 mils).
Color Vibrancy: High-quality ink technology ensures vivid and accurate colors.
Protection: Shatterproof plexiglass.
Eco-Friendly: Printed on FSC-certified paper and wood.
Ready-to-Hang: Includes a hanging kit for immediate display.
Enjoy timeless art with unmatched quality and sustainability.