Rosebush with almost violet flowers (Rosa indica subviolacea) from Les Roses (1817-1824) by Pierre-Joseph Redouté. Giclee Print with Pigment Based Ink on Museum Quality Matte Paper in a Custom Built Sustainable Wood Frame.
Artwork Name: Rosebush with almost violet flowers (Rosa indica subviolacea) from Les Roses
Artwork Date: 1817-1824
Artist Nationality: Belgian
Artistic Style or Movement: Botanical Illustration
Genre: Natural History Illustration
Period: 19th Century
Medium: Watercolor on Vellum
Technique: Detailed Botanical Illustration
Cultural and Geographic Context: European Enlightenment and Scientific Exploration
Thematic or Conceptual Context: Study and Celebration of Botanical Beauty
Artist's Intent and Context: To document and celebrate the diversity and beauty of roses
Formal elements and Composition: Realistic depiction with emphasis on detail and color accuracy. Pierre-Joseph Redouté's "Rosebush with Almost Violet Flowers (Rosa indica subviolacea)" from his celebrated series *Les Roses* (1817-1824) is a masterful example of botanical art that transcends mere scientific illustration to achieve a sublime aesthetic quality. Redouté, often hailed as the "Raphael of flowers," was a preeminent botanical illustrator of the late 18th and early 19th centuries. Born in 1759 in what is now Belgium, Redouté moved to Paris, where he became the court artist to Marie Antoinette and later served under Empress Joséphine Bonaparte.
Redouté's work is characterized by its meticulous attention to detail and an almost ethereal clarity, achieved through the use of stipple engraving—a technique that allowed him to capture the delicate gradations of color in the petals of the roses he depicted. His philosophical approach was rooted in the Enlightenment ideals of observation and classification, yet his illustrations possess a poetic sensitivity that elevates them beyond mere scientific documentation.
In "Rosebush with Almost Violet Flowers," Redouté conveys the ephemeral beauty and complexity of nature. The piece exemplifies the genre of botanical art, focusing on the intricate structure and subtle hues of the rose. Its significance lies not only in its artistic merit but also in its contribution to botanical science, as it helped popularize and document the diverse species of roses. Today, the original work is held at the National Library of France, where it continues to inspire both art lovers and botanists alike. Experience this masterpiece as a museum-quality fine art print with vibrant, true-to-life colors, created using advanced 12-color giclée printing technology. Elegantly framed in premium oak or ash wood with unique grain patterns, each print arrives ready to hang, showcasing the artwork on archival-grade, master's edition, museum-quality acid-free paper for a glare-free, clean finish.
Giclée printing delivers exceptional resolution, expansive color spectrum, and uncompromising detail, ensuring high-quality reproductions that closely mirror the original artwork. Preferred by artists, photographers, and galleries, it offers a precise replication of color palettes, capturing every nuance for timeless masterpieces ideal for your home or office.
Crafted with fade-resistant, pigment-based archival inks , these prints guarantee longevity and brilliance for generations. Frames are custom-built by specialist artisans, featuring a 20mm (0.79") thick design with shatterproof plexiglass protection. Available in various sizes, they are eco-friendly, using FSC-certified materials and responsibly sourced wood.
Key Features:
Frame Material: Responsibly sourced oak or ash wood. Paper Finish: Smooth, glare-free matte; 200 gsm (80 lb), 0.26 mm (10.3 mils). Color Vibrancy: High-quality ink technology ensures vivid and accurate colors. Protection: Shatterproof plexiglass. Eco-Friendly: Printed on FSC-certified paper and wood. Ready-to-Hang: Includes a hanging kit for immediate display. Enjoy timeless art with unmatched quality and sustainability.
